urban haze - reflect what you are

Veronika Kellndorfer, Berlin

Exhibition:
11. Juni - 15. Juli 2010

Opening:
Friday  June 11, 2010, 6.30 pm

Inauguration of the project inside the Bundesfamilienministerium:
 on June 22 at 11.30 am, Glinkastr. 24, Berlin

The accompanying lecture in english language by Veronika Kellndorfer will take place on june 23 at 5.30 pm at AedesLand.
Followed by a discussion between the artist and Mark Lee, JohnstonMarkLee, Los Angeles.

A tour with Veronika Kellndorfer on saturday, June 26 at 3 p.m. wiill show the projects Bornholmer Strasse and Bellevue S-Bahn stations and the ARD Capital Studio. Meeting point is the Bellevue S-Bahnstation on the platform.

Speaking at the opening:

Dr. h.c.Kristin Feireiss, Aedes Berlin
Beate Engelhorn, Curator
Prof. Christopher Dell
, HafenCity University, Hamburg

The opening will be followed by a short-time concert by Christopher Dell



 

Aedes Cooperation Partners

 

powered by BauNetz

  • Christopher Dell

  • Beate Engelhorn, Veronika Kellndorfer

The discourse concerning “art in public spaces” derives its topicality from the crossover between cultural, social and urban-political fields of action. On the occasion of the inauguration of her work “le regard exterieur” in the new building for the Ministry for Families in Berlin, Veronika Kellndorfer’s exhibition at AedesLand shows for the first time the covert alliance between her pictorial mode of operation and her archive of glass works, projections, sketches, transparencies and models.

Here work concerns the perception of architecture and how the interface between aesthetic and social space becomes a part of it, as demonstrated in her Berlin public space projects such as the Bornholmer Strasse and Bellevue S-Bahn stations and the ARD Capital Studio. Through her travels and formal enquiries she discovers just how much one can read the story of a society through buildings. The work investigates the pivotal roles played by transparency, projection, space and reflection in this regard. The artist makes - for herself - images of architectural icons of modernity in which demarcations between inside and outside are almost always blurred. This is all possible because of the material qualities of glass: its transparency and its use as a means of separation. She employs this same material as the carrier of her images. Her silkscreen transparencies are similarly broken up by countless reflections of light and images built up through photographic layers. This is how her work succeeds: dense with meanings and the transfer of the three-dimensionality onto the glass planes, such that the space of aesthetic presentation functions as memory.

Veronika Kellndorfer lives and works in Berlin. The core of her work is its examination of, and installation in, buildings – such as, for example, in the Federal Labour Court in Erfurt, the Siemens corporate headquarters in Munich, the Faculty of Economics in Magdeburg, and the Justice Centre in Aachen. She has received many grants and fellowships, such as the Villa Massimo German Academy Fellowship, a residency at the Villa Aurora and the Schloss Solitude Academy Fellowship. Her work has been shown extensively around the world, including exhibitions in Los Angeles, Moscow, Leipzig, Edinburgh and Berlin.

 


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