Dialogue Concert Series

Transformation

Conceptual Research on Architecture and Music
curated by Christopher Dell

Date
Thursday, 20 March 2020
6.30pm 

Venue
Aedes Architecture Forum
Christinenstr. 18-19
10119 Berlin

The lecture will be held in English.
Entrance is free, but seats are limited to partake please register reply@ancb.de


Dialogue Concert Series
#1 Mediality with Oda Pälmke
12 December 2019
#2 Interaction
with Christophe Hutin
6 February 2020
Transformation
with Daniel Libeskind
20 March 2020 (postponed)
#3 Materiality
with Jean-Philippe Vassal (tbc)
#4 Structure
with Bernd Kniess
17 September 2020
#5 Corporality
with Assemble
3 December 2020

 

Aedes Cooperation Partners

 

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Unfortunately, the event has to be postponed. The new date, probably in autumn 2020, will be communicated in time via our channels. We appreciate your understanding. 

Transformation

Chamberworks is set of 28 drawings created by Daniel Libeskind during the years in which he served as the head of the Architecture Department at Cranbrook Academy of Art in Bloomfield Hills, Michigan in the early 1980s. The drawings explore the relationship between music and architecture, both architectonically and graphically. Chamberworks are central to the oeuvre of Daniel Libeskind, as well as to the music that will be played during the Dialogue Concert #3: Transformation, and will  be performed in combination with Christopher Dell’s concept of Formblocks.

Christopher Dell conceives these as "a strategic performative approach to work constructively, and non-arbitrarily with indeterminacy. In this sense Formblocks serve as a lens through which the Chamberworks are musically read as scores."

"In the same manner that music can be related to science in the form of visualisation, it can also be related to architecture. Not only do music and architectural notation – through variation, modulation and invention - elegantly move across forms, they also have the capacity to let transformation take place across categories. For instance both, a translation of a geometric formula into the material state of an architectural drawing or model, or a making over of a musical concept into the performance by players, let a mental idea become sensual shape. This does not mean, that the origin of the shape is the idea. Quite on the contrary, the geometrical as well as the musical concept are grounded in a praxis. In other words, they have – and historically have had – to be activated in order to take place. One can claim that in a strange way the geometrical as well as the musical concept are ideal entities, that are also historical. While containing an ideal core, they accrete sedimentations in their transmission, their delivery to the present and future, which transforms their shape."

The Chamberworks sketches are graciously made availbable by the Tchoban Foundation Museum for Architectural Drawing, and are integral for the performance of the Dialogue Concert.

Lecture
Daniel Libeskind
New York

Concert
Elisabeth Coudoux
Cello, Cologne
Christopher
Dell Vibraphone, Berlin
Pascal Klewer
Trumpet, Cologne
Christian Lillinger
Drums, Berlin

Discussion

Dialogue Concerts
On the occasion of Aedes Architecture Forum’s 40th anniversary, the series Dialogue Concerts. Conceptual Research on Architecture and Music presents a pluralistic media format, re-envisioning urban research. Architectural practice will enter into a dialogue with musical praxis.

Designed as a montage of lectures, concerts and discussions Dialogue Concerts is a series of events that will examine the interplay of urban space and communal life. Set up as an experimental interdisciplinary format, the Dialogue Concerts series is comprised of 6 events from December 2019 through December 2020. In this context,
 the city is not defined as a fixed object, but as a dynamic and collective constellation that is performatively produced.

Curated by the vibraphonist, composer and urban theoretician Christopher Dell, Dialogue Concerts is presented as artistic statement and critical dispositif. International architects and musicians are invited to address aspects of procedural strategies across disciplines in a series of six Dialogue Concerts. Taking questions of mediality, corporality, interaction, materiality, structure and transformation as starting points, Dialogue Concerts creates a discursive space seeking to illustrate the societal relevance of both disciplines in a new way.

Dialogue Concerts is organized by Christopher Dell in cooperation with the Aedes Architecture Forum, funded by the Senate Department for Culture and Europe and the Musikfonds e.V. with project funds from the Federal Government Commissioner for Culture and the Media.